PHANTACEA on the Web
[Portion of the back cover of pH-3, artwork by Ian Bateson, circa 1978]

Summer 2002

Web-Publisher's Commentary

  1. Featured Story
  2. Introductory Remarks
  3. Hestia Housekeeping
  4. Today's Topic
  5. A Quick Note on Graphics
  6. A selection of lynx to previous Web-Publisher's Commentaries
[CAIN. SLAYER OF ABEL, RAISES THE GOLDEN CALF, artwork by Ian Fry, circa 1987]

© copyright 2002 Jim McPherson

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1. Featured Story

"In the year of the Lord 376," the philosopher told the patriarch over pre-dinner drinks at the get-acquainted gathering put on by the Alliance of Man the evening of January 12, 1938, "Ignorant Christians seized the grandest cave-temple of the Great God Mithra. It was right here in Rome; on Vatican Hill, no less. Seized it and all its treasures.

"I say ignorant because it was an act of religious zeal. They had no idea what they had and probably could care less. Some old-timers, possibly Xuthrodites, did, however. They secured the treasuries, which were housed in Tantaluses, transparent display cases supposedly sealed by magical means. These treasures were the spoils of war, of Roman conquest, -- as you probably know, Mithraism was the dominant religion of the Roman soldiery. Those who salvaged them sought to return them to their rightful nations."

"And they were lost."

"Two have now been found. I hold the keys, the Signet Rings, required to open them. Have had since the Summoning, although I only discovered their importance late last summer when our Treasury was found off the coast of Trigon, the Aegean Island where I spend most of my leisure time. But I am more than just a simple Ringkeeper, I am a Ringleader. Would prefer to provide them to my own people. Nonetheless, they are yours, -- once you have killed the lecherous, devil-sent bastard who lusts after my baby sister, Argiope Bright Face.

"Once you kill Etzel Sangati!"

-- from 'Blood Beasts Prime', the first chapter of 'The Moloch Manoeuvres', which was revised in the Spring of 2002

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2. Introductory Remarks

Greetings. Welcome, or welcome back.

On this webpage there are any number of day-glow links, like that one, that'll take all over PHANTACEA on the Web. Chances are, however, you'll quickly get lost and forget where you were so my best advice is to read this season's pHpubs: Web-Publisher's Commentary down to the bottom then hit the Top of the Page mark, come back up and start clicking away to your hart's content. Or your Raven Doe's content, as the case may be.

Want to buy into the PHANTACEA Mythos? Go straight to the downloadable order form and do just that.

Want to browse? Best places to start are right here, on my flagship page; my home page, where you can always find lynx to PHANTACEA Features and Photo Essays, new, old, and recently added onto; the overall synopsis page, where you can access all the synopses pages I have ever web-published; or from the main menu, which consists of lynx to almost every webpage still out here in Cyberia. The menu page is also available in a framed version.

Let me know what you like, don't like and would like to see in PHANTACEA on the Web. JMcP [jmcp1749@hotmail.com]

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3. Hestia-Housekeeping

So much for the obligatory introductory remarks, ==> onto our usual Hestia Housekeeping. (Why I call it that is explained elsewhere.)

First up is where last time up's pHpubs went. Now that that's out of the way, next up is what's new this time up. A fay-fairy-fair bit actually. Should mention straight off that, no, you didn't miss a couple of seasons of PHANTACEA on the Web. I did. World was too much with me and all that.

Main thing to report, other than I'm gainfully unemployed for the first time pretty much since I was thirteen, is that most of the new material out here has to do with 'The Moloch Manoeuvres'. That's because I've been occupying a lot of my income-free time completely revising it. That and trying to interest agents and publishers such that Manoeuvres can become gainfully in-coming, income-wise, for me.

Want some more dot-dot-dots to see how I'm doing in that regard? Consider it done... And, just for good measure, that was another one. (In case you didn't notice already there are even more down below.) Do contact me if you know of any agents or publishers who might be interested in assisting me get Manoeuvres out there in non-WWW.Dotland, that is to say in actual book form. [jmcp1749@hotmail.com]

Haven't abandoned the two other web-serials I began running last time up: 'The Damnation Brigade' (Year One - After Limbo), which starts out in December 1980, and 'Helioddity', which eventually picks up from where Manoeuvres left off in January 1938. Have three new story sequences, plus synopses, for each and even got around to scanning in some new images as well.

As always, -- good reading!

4. Today's Topic: The Sorority of Sausages & other Graphic Lynx

Not just because sausages come in links, the title of this season's Topic is a bit of a joke, one that'll be fleshed out shortly. If you haven't realized yet I should warn you that there are bits of jokes throughout on the Web. [Former Underlord Yama Nergal, Current Overlord of the Ghostlands, once the Elysian Fields, against a <em>PHANTACEA</em> logo, DRAWN BY IAN FRY, CIRCA 1988] There is even a section on humour in PHANTACEA over in one of Manoeuvres's background pages.

(One hopes that that does not make it one big joke.)

The first time I used the word 'phantacea', which means imagination in Greek, was something like (gasp!) 33 years ago in a story entitled 'Brimstone Wonderland'. Although I've been tempted I haven't got around to web-publishing Wonderland as yet, but I can tell you that a version of it forms the basis of a 1938 story sequence I haven't got around to finishing yet either.[Nergal Vetala, the Vampire Queen of the Dead, DRAWN BY IAN FRY, CIRCA 1988] Story leads into how Barsine Mandam realized her Summoning Heritage and became, well, that would telling.

Reason I bring this up is the Fall of 2002 AD (that would be 6002 YD - Year of the Dome) marks a quarter century (25 years) since PHANTACEA saw the light of day for purposes of public consumption. 'The Moloch Manoeuvres' was one of the first story sequences I serialized out here in 'pH-Webworld'. Other one was, of course, 'The Launching of the Cosmic Express', which only ended last year.

Manoeuvres ran from 1996 until 1998. At the time it consisted of a baker's dozen (13) of not particularly lengthy chapters. The revised version has 30 chapters and each one of them is about 20 pages long when printed out single-spaced using 12-point type. So, what happened?

[Image of Unholy Abaddon, the Unity of Chaos, DRAWN BY IAN FRY, CIRCA 1988]Mostly it was rainy weekends and more than a few workweek evenings. (I tend to eat late and don't watch much television.) As noted elsewhere, my father built train sets in his basement. I write books and publish web-pages in mine. As I published these web-pages and wrote more and more of those books, something would come up that I felt either belonged or should have been at least referenced in Manoeuvres. So I went back and put it there. And, thus, it grew and grew and grew.

The ending did not substantially change but the climactic encounter on Charan's Ark did become more graphic. Most of the midsection did not change either, -- unfortunately like too much of mine it just became more expansive. As dot-dot-dotted above, what follows are some non-sausage lynx where you can find out more information on Manoeuvres's 2002 revision, including its first three chapters, and some concise background on the Mythos itself.

  • An Overview of Manoeuvres, including applicable aspects of the Mythos
  • Sample Chapters from the beginning of Manoeuvres
  • Additional Information regarding Manoeuvres
  • Original "Back Cover Teaser" for Manoeuvres
  • Links to Manoeuvres's original chapter-by-chapter Synopses
  • Original "Back Cover Teaser" for 'Helioddity', the follow up story sequence to Manoeuvres
  • Links to Oddity's chapter-by-chapter Synopses
  • Potential Back Cover for Manoeuvres

As I've said many a time before, -- good !

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Good viewing too, -- since for the first time in quite awhile I've scanned in some new images to perhaps entice you to have a more in depth look around PHANTACEA on the Web.

Most of the black and white scans found on this webpage are sketches made by Ian Fry, the artist who drew 'Forever And Forty Days', which is still available. They were done in the late-Eighties when I was contemplating writing and publishing another graphic novel. (I still have the script but seem to have lost or hopefully only misplaced some of the sketches.)

[Image of Cruel, Kind or Indifferent Plathon, the Bull of Mithras, Devic Lord of Apple/Apis Isle in 1938, DRAWN BY IAN FRY, CIRCA 1987/8] [Image of a docile Dervish Furie, DRAWN BY IAN FRY, CIRCA 1987/8]

The colour scans found throughout on the Web are mostly from my own photographs, as taken during occasionally far-ranging Travels in my Pants. I use them in the Features sections and Photo Essays I sometimes publish out here in Cyberia.

Often the pictures I take are of objects such as statuary (as below)) or masks, which remain my personal favourites. The graphics that follow, together with their day-glow links, exemplify what I'm saying. They are suggestive of characters, themes and even events found in PHANTACEA.

Once in awhile I find an etching or an old painting, the model for which had to have been one of my characters. Examples of these last are the two images found further down the page. In my view the etching is of the very essence of Wilderwitch, -- complete with fearsome soul-self, what she can unleash even when she's so out of it she's lying on her back otherwise unaware of what's happening to her --, while the painting has to be of John Sundown, albeit with features more Mayan than Cheyenne.

Thus far PHANTACEA on the Web has presented events from three distinct time periods: that of the late-Thirties (starting in early January 1938); that of, in terms of the United States, the 2nd Eisenhower Mandate (roughly from late '55 to early '60); and that of little more than a couple of weeks in December 1980. Other than the Dual Entities, probably the main constant throughout 'pH-Webworld' has been the Summoning Children.

[Wooden plate of a wolf-woman suggestive of Wilderwitch and her fearsome soul-self as found on in a vendor's sidewalk display in Montreal, Canada, PHOTO BY JIM MCPHERSON, Year 2000] [Shot of a painting found in a building off the central square in Merida, Yucatan, Mexico, PHOTO BY JIM MCPHERSON, Year 1999]

There were any number of these Summoning Children. Very few, less than two dozen, their younger selves rather, were named in Manoeuvres and, of them, perhaps only half a dozen could be considered major protagonists.

However, at least five were charter members of what eventually became 'The Society of Saints', which flourished during World War Two, and a total of eight Summoning Children first went into action as part of different group, one that preceeded that SOS but was also an SOS, one whose collective souls very much needed saving on January 13, 1938.

Little has been said about the SOS's predecessor group thus far in PHANTACEA. That is because I, um, neglected to mention it until I revised 'The Molech Manoeuvres' in Spring Two Thousand Two. Four of the eight were men. Which, perhaps suprisingly given PHANTACEA's ornery quirkiness, made the other four non-male. These latter four, they of the female persuasion, found a way, in 1938, to resist being categorized as anything less than full partners in their joint enterprise.

So, equality in numbers amazingly begetting equality in naming rights, -- what to call this aforesaid, first SOS? Answer, they decided, was the Sorority (for the female four) of Sausages (for the male four). Well, they were teenagers back then.

I won't tell who belonged to the initial SOS. All right, so I will tell you that one of the boys was Gentleman Jervis Murray, he who can become Wildman Dervish Furie, -- but who in 1938 initially described himself as a Werewolf in Shorts. (Though, sooth said, he wasn't that. He was a Werewolf in Grecian Skirts.)

Times change and by 1980 he's becoming something somewhat different. He's becoming a faun. Unless he's becoming a satyr, which is much the same, albeit strictly male, Pan-like creature of the woods. (In PHANTACEA female fauns are not called wood nymphs, they're called faunas.) And everyone knows what fauns do best!

Someone who was not an original member of SOS, either SOS, was not-yet-blind John Sundown. Neither was his childhood bride, Solace Sunrise, Sorciere. Both feature prominently in the 1938 story sequences, however. (Feature prominently in the 1955 and 1980 ones as well, though one of them isn't quite so lively by then.) And here is where we get into the thematic aspect of the photographs I take. Also get into the Serendipity stuff that seems to happen so often to me as the writer and publisher of PHANTACEA.

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[Shot of a painting found in a building off the central square in Merida, Yucatan, Mexico, PHOTO BY JIM MCPHERSON, Year 1999]

In 1938 Sundown was very much connected with what we learn to call a "Raven Fetishim". Somewhat similarly, Sorciere was associated with Granny Garuda, whom we discover was an old-time Utopian witch named Kanin Nauroz before she donned all those feathers (her regalia). Not only can garudas make like a sunbird and rise anew (phoenix) if their corpses are burned wearing their regalia but they hate snakes.

(Sentient snake-slime are referred to as Ophidians in PHANTACEA while their witches, -- predominantly Ophiomedea who, along with Sagitta, is Sorciere's most implacable enemy in the 1938 sequences --, are Ophirants, after Ophir-Moorset, the part of the Headworld where their Sisterhood is much stronger than that of Flowery Anthea. Medea, by the way, also resembles Vetala. Witch-which is understandable since it turns out she's Barsine's aunt.)

[A STATUE OF A RAVEN AS PHOTOGRAPHED BY JIM MCPHERSON] [A STATUE OF A GARUDA AS PHOTOGRAPHED IN THE ROYAL ONTARIO MUSEUM BY JIM MCPHERSON, 2000]

So it was that in 1999, having written the original version of Manoeuvres and all four of the story sequences that follow on from it, I walked into an old Colonial building on the main square of Merida, Mexico, in the Yucatan Peninsula and spotted not only a painting that had to be of John Sundown, but a mural of what appears to be a Garuda attacking a huge serpent. Talk about Serendipity.

Here's another example of it. In the story sequences set in '55 and '80 Sundown rides a fellow Creature of the Cosmos, Raven's Head. He also wields a Solar Spear. How he came to ride Raven and got hold of the Solar Spear were described in pH-5, which was published in the Spring of 1980.

In the Year 2000 I was on my way to Egypt, where as part of my annual vacation I hoped to visit Heliopolis, a suburb of Cairo, and learn more about the myth of the phoenix, which supposedly originated there, and the mysterious Sed-Ceremony, which was celebrated there almost from the beginning of Pharaonic Times. (For more on what I did discover in Egypt, at least in terms of PHANTACEA, check out Egyptian Evocations.)

[A STATUE OF A NATIVE AMERICA RIDING A STALLION AND FIGHTING OFF AN ENORMOUS SNAKE WITH A SPEAR, REMINISCENT OF SUNDOWN AND RAVEN'S HEAD IN BATTLE, PHOTOGRAPHED IN LONDON ENGLAND BY JIM MCPHERSON, 2000]

I had a few days in London, England, before flying to Cairo and it was on one of my rambles there that I strolled into the backyard of Leighton House. And what did I stumble upon there? A statue of an Native American riding a stallion and spearing a serpent is what! All right, so the Native American wasn't riding Raven's Head, -- who is female, has a unicorn horn when she's out to tromp devils, talarial wings and, funnily enough, a raven's head --, but the effect struck me as close enough to what Sundown and Raven get up to PHANTACEA that I snapped the shot anyhow.

[Mask of a faun as photographed in Antigua Guatemala by Jim McPherson, Year 2001][Mask of a faun as photographed in Antigua Guatemala by Jim McPherson, Year 2001]

Finally, just to end what seems to have become another installment of Serendipity, I spotted the a whole rack of masks like these displayed on a street vendor's cart in the small, cobble-stoned city of Antigua Guatemala last year (2001). I thought they were of devils but one of those with me could speak Spanish and asked the vendor what they represented. He told her and she told me.

At the time my back-home weekend writing was a revision of Year-1, the first draft of which I'd prepared in the early Nineties. That's the one where Furie, who is a Black Jamaican, starts becoming a faun. Don't need to tell you what the vendor told my interpreter, who was quite guapa, what the masks were of and what they're good at, do I?

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5. Graphics: Footnotes and off-page links

  1. Every fantasy series need its version of Death and PHANTACEA is no different. Yama Nergal, a Mithradite, is only one of them, however. Some others were Tantal Thanatos (King Cold), Mater Matare (the Apocalyptic of Death), and the Straw Man (Vanthysces, Great Byron's original Grim Reaper) while Nergal Vetala was the Vampire Queen of the Dead. Like them, albeit only a couple of times, Yama appeared during the Launch Tetralogy. One of those appearances was reprised recently in Brig-1.

    As an Underlord he was originally a God of Miners and consequently had a pickaxe instead of a scythe for a power focus. As a Nergalid he was the third part of the annual food-farming cycle. (Zuvem Nergalis, Devil Doom, he with the shovel for a power focus, he who also appeared briefly in Launch, sowed the seeds, Vetala grew them and Yama harvested the results.) In both the 1938 & 1980 story sequences he is the nominal Overlord of the Ghostlands, which were once the Laughing Lands or, in terms of Outer Earth mythology, the Elysian Fields.

  2. How Nergal Vetala, the middle Nergalid, went from a fertility goddess to becoming the Vampire Queen of the Dead was told in 'The Trigregos Gambit', where she was one of the main antagonists. It came about as a direct result of the Disuntion of the Unities, which was detailed in PREGAME-Gambit #s 2-4. That Barsine Mandam was an incarnation of Vetala was hinted at in Manoeuvres.

  3. As detailed in PREGAME-Gambit, around the same time Columbus was 'discovering' the Americas Unholy Abaddon, the Unity of Chaos, was driven mad by the Susasword, one of the Trigregos Talismans. Uncle Abe Chaos, as he is sometimes called, promptly went on a rampage, pinning his breed-sister, Harmonia, the Unity of Balance, to a slab of Brainrock with the self-same Susasword. She languished in a cave within the Crystal Mountains until she was rescued during GAME-Gambit, some five hundred years later. Balance thereupon started calling herself Freespirit Nihila.

    Shortly after he disposed of his Sister Unity, Chaos also attacked their breed-brother, Lord Yajur, the Unity of Order, and managed to cathonitize him. Apparently in order to celebrate his victory over his fellow Unities, Abaddon committed devic suicide, that is to say he cut out his third or devic eyeball.

    In Manoeuvres, which was set in 1938, Granny Garuda, Sorciere's teacher and psychopomp, expressed a fear that Chaos was still around and on the Outer Earth. He wasn't, but World War Two started a couple of years later, so guess who might have been outside by then?

    Both Nihila and Yajur were on the Moon, among other places, during the last book in the Launch Tetralogy. Both have already appeared, albeit with their circumstances rather dramatically altered, in 'Month One - After Limbo'. Abaddon has yet to reappear in PHANTACEA on the Web.

  4. Plathon, the Bull of Mithras and Devic Lord of Apple/Apis Isle in 5938, can be cruel, kind or completely indifferent to you. As depicted in pH 4-Ever40, he was sent to tempt Anti-Patriarch Cain into destroying Power Point Sumeria, that is to say the Gates of Eden, a few hundred years before the Genesea. He did a good job.

    In fact the device Cain used to destroy the Gates themselves, the Garden itself, himself and everyone with him was crafted in Plathon's image. Was a Golden Bull. (Sound familiar? I've never been shy about stealing from the Bible.) Another image of Plathon, also drawn by Ian Fry, can be found on the order page.

  5. There are three images of Wildman Dervish Furie on this webpage. The first, as drawn by Ian Fry in the late Eighties, is a rather sedate Furie in Dervish-mode. The second, like the third, are serendipitous renditions of Furie in faun-mode.

    Everyone know what fauns are good at and Wilderwitch is no exception. She is, however, Jervis Murray's lover, not Dervish Furie's, which causes considerable tumult in the early stages of Month-1. So significant is this consternation that I excerpted some segments from Month-1 and block-quoted them in a couple of its chapter synopses. ==> ==>

  6. Although Wilderwitch would have been around 10 and, as such, could eventually show up in the 1938 story sequences, she does not appear in either Manoeuvres or Oddity. In 'War of the Apocalyptics' she was beaten to within an inch of her life by Mater Matare, the aforementioned Apocalyptic of Death.

    The Witch, though, has a knack for stretching an inch into inches and much of the time she appears in Year-1 she's getting better everyday. While, in terms of another meaning for inches, she won't do so with Dervish Furie, she seems to have nothing against doing so with Saladin Devason. I were him and I pissed her off, which I would never dare do but Sal might, I'd watch out for her fearsome soul-self.

  7. John Sundown appears to be a Native American Summoning Child who, with the probable exception of Rings '60, has appeared in every story sequence thus far published on the Web. He isn't blind in either Manoeuvres or Oddity; is, however, Blind Sundown in Rings '55, the Launch Tetralogy, and Month-1. Is, as well, a Great Killer in all of them. Except, and this is an interesting bit, there's a suggestion in Manoeuvres that he-him may not have killed anyone anytime, -- at least up until that time!

  8. Another interesting bit is that John Sundown and Solace Sunrise, while they were both Summoning Children, were both born on Christmas Day 1920, were brought up together as Cheyenne Tis-tis-tsas (Human Beings) by Shaman Manitoulin, a Wayfarer in the Weird who haunts Manoeuvres, and married each other on their thirteenth birthdays, in 1933, may not be, strictly speaking, Native Americans. During Manoeuvres Granny Garuda, who hates snakes and is herself no native of the Outer Earth, even goes so far as to hint Sundown's actual parents have voluntarily become vampires.

  9. What's the connection between Raven's Head and Sundown's 1938 Raven Fetishim? I'll have to get back to you on that. Will mention that how a ravenbuck or doe came into being was detailed in 'Forever And Forty Days', which is still available. Be a good place to have a look at Raven as well since she's on the front cover. Immediately cheaper way is to click the next day-glow marker you come across and, after you click on the one after that, wait for it to load.

    (Note: Since Raven's Head is a ravendeer some of my characters, being prone to fay-saying, might be tempted to call her a cervine corvine. However, to look at her on the cover of 4-ever&40, she's more a bodily equine, hoof-winged, corvine monoceros.)
  10. Granny Garuda, whom we discovered in Manoeuvres was an old-time Utopian witch named Kanin Nauroz, is hardly the only garuda to appear on the Web. Her daughter, son-in-law and a couple of their children have already shown up in 'Helioddity', the follow up story sequence to Manoeuvres.

    In fact Aquilla the Hunter, the hunter in the title to Odd-4, is Granny's Summoning Aged grandson. Really is too bad he got between the two titular huntresses, Sorciere and Sagitta. Turns out it was also too bad for another old-time witch, Kyprian Somata, the Master of the Utopian Weirdom of Cabalarkon in the 1938 series. Were it not for what happened to Aquilla Plathon, the Bull of Mithras, might never have got it into his minuscule mind to capture her.

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6. Lynx to some previous Web-Publisher's Commentaries

| Autumn 2002 | Summer 2002 | Autumn 2001 | Spring-Summer 2001 | Winter 2000/2001 | Samplings from other Not So Recent Commentaries | June-March '97 | Feb '97-July '96 |

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Jim McPherson's Worldwide Email Address -- jmcp1749@hotmail.com

PHANTACEA: THE WEB SERIAL

Last Updated: Summer 2002
Written by: Jim McPherson -- jmcp1749@hotmail.com
© copyright 1996-2003 Jim McPherson, (PHANTACEA)

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